Cam, Bri and I have been attending pottery Classes at the the Logan Artists Association , at 27 Coral St Loganlea, on a Monday evening from 6pm - 9pm weekly. Yep! We are dragging Cam there and giving him lots of encouragement and numerous timtams, so he can try his hand at something outside his usual 'doings' . . . . . so far he is being a good sport and has produced some rather amazing pottery, with the supportive guidance of our tutor Ray.
Ray Outteridge began potting in Cairns in 1972 under the tutelage of Master Potter Ray Harrison and continued until 1974 when he undertook professional training at the Cairns College of Further Education (now the James Cook University) graduating with Honors in 1977.
Ray is also experienced at designing and building salt, raku, gas, oil and wood fired kilns. His work has been exhibited widely and is represented in local and international collections.
We have found that Ray is more than willing to share his wide range of knowledge with enthusiasm and a good open sense of humour, that makes the evenings both informative and enjoyable.
The facilities are generous and classes are small - so you can learn a lot in a very short time.
Bri and I are learning to throw pots on the wheel, which is both challenging and rewarding.
while Cameron is currently learning to do hand building. . . .
There are a few places to fill, so if you are interested come along - it is FUN and very Creative.
All aspects of Studio Pottery will be undertaken. Cost will be $25 for members and $30 for non members.
For further information please ring Ray on 0418673404 or 55467398 any time or email@example.com
A DVD Movie and Slide Night.
• The Leach Pottery 1952”
• “The Sleeping Pot” (The Firing of a large Anagama Kiln at River Falls, Wisconsin)
• Other selected short pottery videos
• Works made at the LAA
Where: The LAA Studio
When: Friday Night 11th May 2012
Time: 6 pm.
Cost: Members $5.00 and non Members $10.00
Bring your own refreshments and a friend. All Welcome.
On the 31st of March an excited group of potters met for the
first official firing day of the Raku kiln. Workshop participants
soon arrived and we prepared for the firing by filling drums with
sawdust and making sure we all had protective gear ready
which included masks, long sleeved shirts/pants and protective
footwear. Ray then advised on how to glaze the pots, and next
the kiln was loaded for the first firing. We then received further
advice on how to operate the kiln and the kiln God was placed
on top of the kiln for the first time. It will take us a few times to
learn some of the nuances of Raku firing.
Finally, we could hear the roar of the gas burner and watch the
pyrometer (temperature gauge) creep up. All the time Ray kept
the information going and we observed the pots becoming red
hot and the glazes changing from matt to glossy.
With the temperature achieved the exciting stages began. As the
kiln was lifted, the red hot pots became exposed and Ray quickly
placed them in our drums with tongs, where sawdust or paper
was tipped over each pot. This completed the post reduction
process of the glazes reaching the desired effects. After that,
the still very hot pots were removed and placed into water, once
sufficiently cooled an eager team took to scrubbing off the ash like clockwork, while the rest of us organised pots and helped Ray reload the kiln.
This process went on for 7 – 8 firings, finishing in the dark – which made it all so more visually spectacular, with the glow of the red hot pots, smoke, flames and steam. Overall it was an excellent day, where good results were achieved with many pieces.
We all anticipate the next time with relish,